The red bricks were painted white. An old kind of white
paint mixed and rolled on the bricks before paints had so many names and stores
competed with artist pen sets for all the colors one can find on a
palette. Milky white, white before the
crystal shines through it; off white, egg shell, satin white, oyster. Every
expression of color a competition for how mozzarella will tickle your tongue or
niacin will creep through your blood and itch your neck. Any clam shell she had
ever seen was white like a clam shell; not like milk; or every broken wave
lighting white when the sun was at three or four o’clock and set to focus on
the breakers like a spotlight. Rolling white and roaring white, as the blue
green wave rolled through. It is not the water that moves but the energy
through it. Every wave is an illusion of
movement; as if the water is moving from one area to another. The Indian Ocean
eventually coming to the Jersey shore and every wetland on the coast holding
something of the Mediterranean and the Aegean within. The Pacific, one
Jupiter-sized ocean, carrying every river and Lake Baikal from Russia, even water
off the deep sturgeon and all of it rolling into every otter’s paws like a
cabbage of energy, that is really, layers and layers of energy and detritus of
many oceans and currents, rolling into their paws or filtered through the
feathery gills of baby clams. Every leaf
a wrack line and watermark from the Yangtze, the Yellow or the Seine
rivers. Why not bring Paris into it?
After all, those kicks of the Follies surely moved the air and birds’ preening
feathers loose caught this wind and moved onto the Seine and into the ocean and
through the currents, rolling, rolling to the Jersey shore. Why not? Or the Danube, blue dancing on the edges of
the red cabbage. Well, where else would that blue come from except the
Danube? Dancing on the red cabbage like
the white moths touched by yellow but owned by the air and moving through
space, time and energy to your garden.
Wave and crest, colonies of Monarchs, moving through time’s patterns
since their own generation did not make the crossing but left it to cascades of
sparrows to wing through the air, stir up the cosmos and move the whole
pilgrimage along the curve of energy, the ladle of abbondanza, the plenty crowding
out of the great Horn and all of it, ending in the colors of the evening, the
deeper blues before the dark, the warmer reds, the sweet colors of skin with
summer on their nets and the lunar curve of children’s calves and thighs
walking through the sand; small sprays of grains whisking past their toes, as
one or maybe more look back for the dolphins, always ready to come to the
surface when you’re not looking; always there the day before when you should
have been. The summer feeling like
always.
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