Friday, January 6, 2017

"Desire recognizes beauty."

from the sea (5) –  merging and menopause, by freda karpf

“Drifting where the currents carry them, with no power or will to oppose that of the sea, this strange community of creatures and the marine plants that sustain them are called ‘plankton,’ a word derived from the Greek, meaning ‘wandering.’” Rachel Carson

“Desire recognizes beauty.”  James Hillman

     Desire is not all it cracked up to be.  If Mrs. Scattergood could speak for herself, she’d tell you that. She still has a desire for home.  Though circumstances may delay her and her inner compass might be off, she is moving in the direction of home. Desire has become something wholly other than what she would have expected.  Before there was desire there always was this hunger for home. But that is to anticipate the journey, for when desire was born of our sex and sexes home always was the direction.
~
     If she could, in this world, with these governances, she would write from what she knew out toward the edge of the wilderness.  Though at the cottage, not in the wild her soul is that too. Long chains of silence surround Mrs. Scattergood as she stirs the soup.  It’s all in the wrist. She thinks, “If I had a magic lantern and three wishes, one wish would be for clarity.”  Clarity is mountain air for the brain; a Peruvian flute song coming through subway stations spilling onto the street.  She crowded her head with internal conversations, longing, and who knows what else.   Clarity dispels fear. Fear is only dangerous when it agrees with you as you go down the spiral. Then it becomes your worst enemy. Fear fused with gravity will pull you down. You are not defined. You lose yourself.
~
     All she needed to do was stir the soup.  She remembered what she was like when she was younger. Apparently you give birth to yourself and then discover the miracle later in life.  When she was younger, despite the mirror curves on top and below, she liked to think of herself as an androgyne.  What can you say? She was ahead of her time. There was no open discussion of sexuality in those days never mind the wider spectrum of possibilities and shifts into the bodies that made folks feel coherent with their inner selves.  There was no shifting but there was this interior world with its own realities and gravity where she was a successful actress or cowboy or artist of mysterious skills but really, really good at whatever it was that she was good at.  Some part of her psyche, she would call her Quanta, was her personal cheerleader.  They worked well together and the confirmation of her being by a tender, young but smart part of herself, served her well when times were thin on role models and the world was analog. 
~
      She couldn’t remember why they had their names but she recalled writing this conversation about what living was like when those you love have died. Quanta would ask Vector questions. Vector was another part of Mrs. Scattergood’s psyche. He was a young artist; also androgynous; and he was able to communicate in images and collages better than speech.   Quanta followed Vector around.  He didn’t mind. He respected her.  Quanta asked Mrs. Scattergood, “What do you need to move on?”  She knew that she needed hope.  Without that she was sunk, she’d say.  But Vector needed interest.  He needed to know what he didn’t know so that he could move towards that place with a sense of wonder.  Quanta liked that he needed wonder; knew that she needed something different; and she got it, Mrs. Scattergood needed hope. Hope sometimes looks like a white canvas life preserver, sometimes like an abstract painting with places you can enter.
~
     As she imagined the young parts of her psyche, she also imagined the old. They took the form of an old couple.  In the Gartens, she saw two old people who were mobile, hungry for more life, rebels against the slotted life of seniors in their day, moving out, not telling their children where they were going for fear of closure on their dreams. They wanted to find what was next. She called them the Gartens because they remembered the Garden of Eden where new life was devoid of stale categories.  In Mrs. Scattergood’s mind the Gartens were on the move and defied the hardest thing a person could in their day, the strong pull back of the wave of assumptions that old people had to live with in the days they occupied. 

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