from raga or the 10,000 things (6), by freda karpf
One of Mrs.
Scattergood’s dreams was about the potato woman. As she went by the edge of the town, the sun
suddenly came out. Across the field she
saw an old woman bending in full skirts, layer after woolen layer, bending to
pull up a potato. She wanted to ask this
woman if she dreamed anymore. “What does
your belly feel like after the having nineteen babies?” Her words a thought she
wished to project across the field.
The wind whipped up and carried her
thought away. She ran after it so that
the wrong people didn’t know her thoughts. She chased her voice for miles,
days, seasons. She felt hopeless. She sunk to her knees in front of an old oak
tree. Her tears disappeared into the hem
of her long skirts. She was startled
into alertness by someone addressing her. She looked up and thought at first
she was seeing a devil, for the man in the black robes of the traveling teacher
was barely a silhouette against the dark braided coils of the tree bark. He spoke again. She was stilled by fear. She had heard that only the sacred ones found
teachers who would speak to them. If she
spoke now, in response to him, the avenging spirits might come and claim
her. A dybbuk might replace her and walk
from the night into her mother’s kitchen for a bowl of steaming potato soup. How could she betray her mother that
way? She wouldn’t speak.
But the black cape kept talking. Tempting her with words that coiled around
her heart like a serpent. She had only
wanted to chase her words and bring them back into herself.
He asked her if she could ask her fear why
it blocks her voice. Will fear starve if
she speaks? Do her words, like the black
cloud that covered our earth, and devoured all the grasses, remove fear from
the world? Does it leave it open to a
sunless sky to starve on a dry plain?
Can her words be so cruel that it would banish fear forever? “I speak to the fear that changes shapes in
you for want of survival. ‘Why do you
stop her from speaking? Why do you
hunger for her stagnation?’ And do you
know,” he asked Sarah, “do you know that it only answers as if it’s impatient
with me, as if to say, ‘Go away little fly, you annoy me?’”
She almost answered him then. He looked into her eyes as he spoke. He spoke to fear as if it were standing next
to him. And she looked to his right as
he addressed fear but she saw nothing.
And she didn’t hear the response that fear made but he looked at her as
if she must be troubled by such an uncaring creature also. And she was.
But she was trapped. She couldn’t
respond because then the spirits would torment her soul and she’d miss dinner
and she was also afraid of fear. So she
just looked back into his eyes, not trying to seem too defiant or too innocent
either.
Fear is the boundary you cannot cross
because you are a little girl of the ghetto.
“It is your sacred duty,” he paused for
effect, “to say to fear that it has no business here. ‘Go away and leave me alone.’ You should tell it that you’ve given it all
you can and you’ll never get that back from anything it gave you. She tried out her voice, ‘Haven’t you had
enough?’” and woke from her dream.
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